Creating believable personalities in fiction.
 
One of my favourite love stories is Paul Gallico’s Love of Seven Dolls (pub 1954, so we’re going back somewhat). His two main characters are Mouche, a young innocent who’s lost all belief in life and thinks herself worthless, and Michel, a cynical survivor and user of women, who can only express his feelings through the 7 puppets he has created and operates. Their lives cross and she gradually develops inner strength and helps him to own his vulnerability and need.
 
So how does a writer create such characters to engage the reader and make them care about their fate? Lots of ways, I’m sure, including having them face challenges and giving them (hopefully redeemable) faults. I draw on a personality type theory called the Enneagram, which defines nine basic types, each of which has positive and negative aspects and suggests ways in which they might develop balanced, healthier traits.
 
Do you like male leads in male/female historical romances to be forceful, alpha male types? I guess I do because half my male leads are based on Enneagram number 8. This is defined as a forceful, confrontational, intimidating character who sees life as a power struggle and avoids displaying weakness. The theory suggests type 8 needs to discover a gentler side and commitment to helping others. What better way to do so than through encountering the right kind of woman? Examples include George Kemble in Rose Glace, James Forsyth in The Baronet’s Daughter and Matthew Harcourt in Her Secret Commission.
 
Interestingly, three of my female leads have also been based on type 8—Lady Olivia Charlton in Heiress to a Duke, Charlotte Milford in The Regiment’s Forgotten Daughter, and Lady Georgiana Fox in His Haughty Lady.
 
Search Enneagram for more information on the theory.

If you’ve been watching the dramatisation of Jane Austen’s unfinished novel Sanditon you will have seen the portrayal of a ‘gentry vs workers’ cricket match on the beach, in which a young woman takes the place of one of the gentry at the crease. This would have been unlikely, but all-women matches did take place at the time.
 
The earliest I’ve come across was held at Bosham (pronounced ‘Bozam’) in Sussex. Bosham was where Danish King Canute sat on a chair surrounded by his courtiers and commanded the waves to go back, but got his feet wet. It was also the port from which Harold set forth in 1064 to negotiate with William of Normandy, failing to prevent the Conqueror’s visit in 1066. Bosham also features in the Bayeaux tapestry and in the Doomsday book.
 
But there’s another claim to fame. In the summer of 1787 it hosted a female cricket match, a description of which was sent in to the Hampshire Chronicle. The editor declined to publish it on the grounds it was ‘by no means fit for publication’. However, 8 years later the same paper did publish an account of an all-female cricket match played by 11 young women of Marchwood against a visiting 11. They were all dressed in white with green or blue ribbons (quite decent, then).
 
Thereafter other similar events are mentioned with increasingly frequency into the 19th Century. They were often arranged between a team of local married ladies against one of single girls. In those days bowling was generally underarm and it has been suggested that overarm bowling became popular because of women players having difficulty delivering underarm bowls with their voluminous skirts getting in the way.
 
(thanks to the British Newspaper Archive for the above)

New! Regency Lady Series
 
If you liked HER SECRET BENEFACTOR, you’ll love the first in this new series. It’s the story of Tom, who you met briefly before. He was the stable boy at Wrighton House in A MASTER OF SPECULATION (first book in my Regency Master Series)
 
Fast forward ten years and Thomas Robertson has become a successful race horse trainer, much sought after by the nobility who make up the bulk of the racing fraternity. But his new boss, the Duke of Exford, has a supercilious daughter intent on making life difficult for him.
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HIS HAUGHTY LADY, first of the Regency Lady Series, out now for Kindle, KDP Select and paperback (see Home page for link)

Last month I joined about 250 others at the Romantic Novelists’ Association annual conference, a chance to network with other authors and hear from the publishing industry professionals who spoke on panels and in workshops. What did I learn? There was much to absorb, some of which is on the RNA blog (see link on Home page). With regard to trends in romantic fiction topics, it was said World War Two was much in vogue at present. So here are three of my recent reads which I recommend:
·         Cressida Connolly’s ‘After the Party’
·         L P Fergusson’s ‘A Dangerous Act of Kindness’
·         Michael Ondaatje’s ‘Warlight’
All very different but in all cases quite gripping with extremely well researched historical background.
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I’ve mentioned drawing inspiration from past events and places for my historical romances, but for my contemporary short stories, I often draw on actual experiences of my own:
For several years I was caretaker for an isolated holiday letting cottage in the Yorkshire Dales. It had borehole water, plenty of resident mice, sheep that messed the garden and fell ponies that blocked the entry gate and were also known to kick. It was only my second week when an unhappy tenant rang me late at night to say the bedroom ceiling had fallen in! No injuries, I’m happy to say, but the setting gave me the idea for NEW LEASE OF LIFE (in the collection TOWN MEETS COUNTRY) and also for SNOW PICNIC (free download under Books tab).
I once toured the Royal Yacht Britannia, moored at Leith, Edinburgh, and saw how compact it was and the cramped quarters for staff and crew. Then I read an article about super yachts owned by the very rich and how they are run. It inspired me to write MUTUAL DESIGNS (in the collection HOME AND ABROAD).
A visit to my local MP’s constituency ‘surgery’ inspired POWER TO THE PEOPLE in which a female MP gets involved in a local alternative power project and its rather dishy designer.
Finally the tire blow-out in the middle of Africa portrayed in WRITTEN IN THE BEADS (also in the collection HOME AND ABROAD) really did happen to me (45 years ago!), although I wasn’t being pursued by a felon.
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​If you read A MASTER OF LITIGATION  you will have met Roland Burford (Thomas Carnforth’s best friend) and Penelope Fitzgibbon ( Gwendolen Ashforth’s best friend) but they have not met each other—until now. Roland has been courting another lady and Penelope is married to Lord James Derwent. Why then is he launching a new career in the diplomatic corps? And why is she running off to Italy?
Read all about their travels, their first encounter and what follows in HER SECRET AMBASSADOR, out now in Kindle, paperback and KDP Select.
My inspiration for setting a story in the Mediterranean came when Ancestry sent me my latest DNA update and informed me I was 1%  Sardinian! I calculate that must have been an ancestor from the 1700s.

 If historical research provides story themes, visiting places can inspire a setting and add that touch of authenticity. Looking back at my story-lines over the past 10 years, here are some that were born following a particular visit:
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Carlo Gatti’s ice wells at the London Canal Museum near King’s Cross led to my exploring just how ice-cream was made before the advent of modern refrigeration and the early development of refrigerated ships. So was born ROSE GLACE, CONFECTIONER TO A DUKE, about an orphaned young girl who makes a new life for herself as an ice-cream maker, and encounters a self-make businessman who runs a shipping line and is looking to inherit a dukedom. (a finalist for historical romance in the EPIC awards 2016)

Quarry Bank Mill in Cheshire was my model for the cotton-spinning mill that features in A MASTER OF INDUSTRY, except my version isn’t run quite as well and provides the opening scene of the story when the heroine (a feisty governess) confronts the earl on whose land the mill operates about some pretty telling health and safety issues!
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The Gladstone Pottery Museum, Stoke-on-Trent put on a special exhibition of the history of the toilet and inspired IN FOR A PENNY, in which the heroine is the daughter of a sanitary engineer. Then there’s the ne’er-do-well younger son of a duke who needs reforming, a philandering viscount after a new mistress, and a good dollop of society scandal. Quite a raunchy tale.

A friend recently asked me where I got ideas for the plots of my books. Usually it’s been a single fact/event that grabs my attention when researching a particular period and then that seed germinates and grows. I began, 10 years ago, with attempts at contemporary romantic fiction, but wanted to avoid the instant communication of modern technology so checked out the 1980s. 1987 stood out as a year when so many terrible events happened that I wove them into ‘The Year I found Great Aunt Alice’ as the context against which the heroine compares her great aunt’s experiences in both world wars.
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 I then researched the 2nd Boer War, including the records of the British Red Cross, where something caught my eye. One of the volunteer doctors (referred to as ‘civil surgeons’) was listed as ‘missing’ at the end of the conflict. Did he die? Probably, but I imagined a scenario in which he actually survived, but there was a reason why he needed to hide away, for his own safety. After various attempts that finally turned into ‘Miss Deacon investigates’, about a British woman sent to France in 1918 to investigate the behaviour of the WAACs on the Western Front and coming across the mystery of the missing doctor, which she uncovers by talking to various ‘witnesses’ of the time

​After that I got into Victorian events such as the Baccarat scandal at Tranby Croft (the context for ‘Fair Play and Foul’) and the Cleveland Street scandal (‘Heiress to a Duke’). More recently I’ve gone back in time to the Regency period, post Waterloo. The inspiration for the first of these, ‘A Master of Speculation’ was the real involvement of some radical British aristocrats in helping one of Napoleon’s former marshals (Lavalette) escape from France after his wife had daringly visited him in prison the night before his execution and swapped places with him.
 
​The real events provide the inspiration but I then play with them, ask ‘what if…?’ and create my own version and my own characters to fit in with the rest of the romantic tale.

Someone once wrote that a happy ending is where you choose to stop the story. The implication is that it cannot be happy ever after (though don’t we all love the idea!), or certainly not for everyone.
 
Thinking about this led me to consider the unhappy circumstances of one of my minor characters in my Regency Master Series, Lady Elizabeth Allgreave. That turned into “Her Secret Benefactor” which has proved so popular (thank you readers!) that I’ve applied a similar approach for another new story.
 
If you read “A Master of Speculation” (first in the Regency Master Series) you may recall Elizabeth Morgan, former governess, then maid, then outcast, who is saved by an offer of marriage from Robert Denison, the hero’s former naval colleague and now his estate manager. He will give Elizabeth’s unborn child his name.
 
“Her Secret Commission” tells that child’s story. She is Joanna, who at seventeen discovers the truth of her origins and, in anger and shame, runs away from home. We meet her some years later, aged twenty-eight, caught up in the world of espionage and coming to the unwelcome attention of the police, in the form of the rather handsome Detective Inspector Matthew Harcourt.

OUT NOW FOR KINDLE AND KDP SELECT!
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Jewish Book Week 2019 has just drawn to a close and I was privileged to attend the inspiring appearance of Anita Lasker-Wallfisch at King’s Place, where she repeated (in English) her address of last year to the German Bundestag describing her early life and her survival in Auschwitz and the role of her cello-playing in that story.
By chance, on the train to London that weekend (not knowing that we were due to attend that event) I read, almost at a sitting, “A Woman of War”. This is a first novel by Mandy Robotham. It seemed to me to be very well researched and the lead character, a midwife caught helping Jewish women give birth, felt very authentic. It is fiction, but so cleverly woven into the factual history of the time, one could almost believe it could have happened. Highly recommended.
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